Witnessing a film can be a truly immersive experience, but have you ever seen an audience react during the movie, as if they were part of it? That's exactly what filmmaker Kalu Oji experienced when his film, Pasa Faho, screened in Lagos, Nigeria. It wasn't the usual quiet, analytical post-screening discussions; instead, the audience was fully engaged, reacting in real-time to the unfolding drama. "Why did he do that?!" they'd exclaim, a testament to the film's power to connect. But here's where it gets interesting... this film is now heading to the iconic Sydney Opera House!
Oji's film, Pasa Faho, features the acclaimed Nollywood actor and comedian Okey Bakassi, who plays Azubuike, a struggling shoe salesman in Melbourne. Azubuike's world is thrown into turmoil when he learns his shop will be sold, and his estranged son, Obinna (played by Tyson Palmer), comes to live with him. The film delves into their struggles to find common ground during a challenging time. Azubuike, a man of deep pride, must confront his ideals to connect with his son. Oji highlights the difficulty of this journey, especially for a proud Igbo man under pressure. He's spent his life building a certain image of success, creating immense internal tension.
Pasa Faho isn't just a story; it's a journey. The film, which premiered at the Melbourne International Film Festival last year, will have its New South Wales premiere at the Sydney Opera House on January 21st, followed by a national tour. The film has already garnered international acclaim.
But what does Pasa Faho even mean? Oji explains it's a made-up term, a play on words meaning "parts of a whole." The meaning isn't pre-defined; it's revealed through the film's narrative, characters, and world. The film has resonated with audiences worldwide, each bringing their own interpretations to it.
The film also beautifully captures suburban Melbourne. Oji envisions it as a time capsule, showcasing the diversity and everyday life of the city. He points out the unexpected connections between characters, like a Greek florist and a Nigerian shoe salesman. This juxtaposition highlights the universal human experiences that transcend cultural boundaries.
The Sydney Opera House screening will include a Q&A session with Oji and the film's producers.
What do you think about the way audiences engage with films? Do you prefer a quiet, reflective experience, or do you enjoy the communal energy of a more interactive viewing? Share your thoughts in the comments!
